Park Chan-wook, the director of "Oldboy" and "Decision to Leave," is the subject of a photography exhibition that shifts attention from his films to his work behind a still camera, Korea JoongAng Daily reports.

The show frames a different side of a filmmaker known primarily for his precisely composed, violent and formally elaborate cinema. Photography, in this presentation, appears not as a sideline but as a distinct strand of Park's creative practice — one that audiences rarely see when his name attaches to feature films and their festival premieres.

What does the exhibition offer viewers?

According to the report, the exhibition brings into focus work that sits outside the director's better-known output. It invites viewers to consider how a filmmaker celebrated for controlling every frame of a moving image approaches the single, fixed frame instead.

That question carries weight in an institutional context where directors' photographic work has increasingly entered galleries. Exhibitions of this kind test whether a reputation built in cinema translates to walls rather than screens, and whether the eye behind the camera operates with the same intelligence when the camera stops moving.

The report does not detail which series, dates or venues the exhibition covers, so visitors should confirm specifics through the organizing institution before planning a visit.

For Park, whose films are already studied for their visual rigor, the show opens a quieter avenue: the possibility that the same sensibility has been at work in stills all along, and that a fuller picture of the director is only now coming into view.