Lennart Brede is working on three fronts at once: a solo exhibition in Düsseldorf, the project "Allez Gut, Johanna", and the music-related visual work "Grim104 – No Country for Old Grim". The German photographer moves between still images, film and artificial intelligence. That range is the story.

What connects the three projects?

The titles name the work plainly. "Allez Gut, Johanna" is a photographic piece. "Grim104 – No Country for Old Grim" accompanies output by the Berlin rapper Grim104. The Düsseldorf exhibition gathers Brede's own pictures in a solo presentation. Together they show a photographer who refuses to stay inside one medium.

The common thread is the image itself. Brede builds it with a camera, with moving pictures and with machine tools. He then places the results in galleries, in film contexts and in music culture.

Takeaway: one photographer, three outlets, and a deliberate refusal to pick a single format.

How does AI fit into the work?

Brede's practice sits, in the words of the announcement, "between photography, film and AI". That framing matters. It does not position AI as a replacement for the camera. It positions it as a third tool beside two established ones.

Photographers now face this question across the field. Brede's answer appears to be integration rather than alarm. He uses machine-generated imagery where it serves the project, and the camera where it does not.

Takeaway: the work treats AI as one instrument in the kit, not as the subject of the work.

Why does the Düsseldorf show matter?

A solo exhibition is an institutional statement. Düsseldorf carries weight in photography. The city hosts the Kunstakademie and the legacy of the Düsseldorf School, the tradition of Bernd and Hilla Becher that shaped generations of photographers.

Brede showing there places him in conversation with that history. The exhibition format also lets him test how his photographic, filmic and AI-assisted images behave together in one room.

Takeaway: the Düsseldorf date anchors the season and gives the mixed practice a single public test.

What comes next for Brede?

The three projects point outward. "Allez Gut, Johanna" and the Grim104 work extend his reach into film and music visuals. The solo exhibition confirms his standing within the gallery context. His next moves will show whether the three tracks stay separate or merge into one hybrid practice.