Inês Gonsalves has opened a photography exhibition on Goa titled "Beyond the beaches," a show that positions itself squarely against the postcard image of the Indian state. India Today has reported on the exhibition, whose title alone announces its argument: Goa is more than its coastline.

The premise matters for practitioners. Goa attracts vast numbers of travelling photographers each year, most of whom return with variants of the same shore, the same sunset, the same shacks. Gonsalves redirects that gaze inland, toward the places and lives the tourist economy renders invisible.

What does the exhibition actually show?

India Today's coverage frames the exhibition as a corrective — work that seeks out the Goa existing beyond the beaches. The report does not enumerate individual prints or series titles, so readers should treat the show's full contents as something to verify at the venue rather than to expect itemised here. What the coverage does confirm is the organising principle: an exhibition-length body of work dedicated to the state's less photographed realities.

For photographers, that framing carries a lesson about subject selection. The strongest available territory in an overshot destination often lies a few kilometres from where every tripod already stands.

Why does Goa keep drawing this kind of project?

Goa's image problem is structural. Decades of tourism marketing have compressed an entire state into roughly one hundred kilometres of sand, while its villages, rivers, mining districts and interior communities receive fractionally equivalent visual attention. An exhibition titled "Beyond the beaches" enters that gap deliberately.

Gonsalves's show joins a broader institutional drift among photographers working in heavily touristed regions — a move from destination photography toward documentary engagement with place as lived in, not consumed. India Today's decision to cover the exhibition suggests the argument still has news value, which indicates the imbalance persists.

Where can readers follow the work?

The exhibition is current and reported as ongoing by India Today. Photographers and editors tracking contemporary South Asian documentary practice should watch how the show circulates — whether it travels beyond Goa, and whether Gonsalves extends the body of work into publication form.